- Zoe Gosling, Louise Kane, Michael Shallcross, and Nathan Waddell, 'Editorial', n.p.

- Jaron Murphy, '"This Picture Caused a Rumpus": Revisiting the T. S. Eliot Portrait’s New Lease of Life at the Durban Art Gallery, South Africa', 1-12.

- Alan Munton, 'Lionel Trilling’s 1928 Review of Wyndham Lewis’s The Childermass, with a commentary by Alan Munton', 13-29.

- Sjoerd van Faassen and Hans Renders, 'Theo van Doesburg and Wyndham Lewis: An Aborted Attempt at Collaboration', 30-56.

- Kunio Shin, 'The Work of Modern British Art in the Age of Colour Reproduction: Wyndham Lewis and C. R. W. Nevinson in Colour, 1914-1921', 57-86.

- Jason Parks, 'Wyndham Lewis, The Enemy, and "The Trouble of Translation"', 87-113.

- Gareth Mills, Review of Lise Jaillant, Cheap Modernism: Expanding Markets, 142-47. 

- Tristan Burke, Review of John Rodden, Between Self and Society: Inner Worlds and Outer Limits in the British Psychological Novel, 148-51.

- Bret Johnson, Review of Faye Hammill and Mark Hussey, Modernism's Print Cultures, 152-56.

- Paul Edwards, Review of Gregory Betts, Paul Hjartarson, and Kristine Smitka, Counterblasting Canada: Marshall McLuhan, Wyndham Lewis, Wilfred Watson, and Sheila Watson, 157-63.