- Andrzej Gąsiorek, 'Editorial', n.p.

- Paul Edwards, 'A Gift to the Courtauld: Wyndham Lewis's Ivor Back', 1-2.

- Anthony Paraskeva, 'The Clown and the Über-Marionette: Performance Style in Enemy of the Stars',  3-17.

- Kitty Hudson, 'Wyndham Lewis's A Reading of Ovid (Tyros): The Classical and the Modern',  18-40.

- Kate Armond, 'Cosmic Men: Wyndham Lewis, Ernst Haeckel, and Paul Scheerbart', 41-62.

- Samuel Shaw, '"An embryonic Vorticist"?: William Rothenstein and Wyndham Lewis', 63-80.

- Andrew Scragg, 'Wyndham Lewis and Ernest Hemingway: Beyond the "Unsuccessful Rapist" and the "Dumb Ox"', 81-103.

- David A. Wragg, 'More Matter, Less Art?: Occam's Razor, "Philosophy", and Wyndham Lewis's Modernism', 104-26.

- Nathan O'Donnell, '"Bread and Ballyhoo": Wyndham Lewis and the Arts Council of Great Britain', 127-45.

- Victor Barac, 'A Previously Unpublished Photograph of Wyndham Lewis', 146-7. [image not reproducible online due to copyright]

- Scott W. Klein, Review of Alice Bennett, Afterlife and Narrative in Contemporary Fiction, 150-4.

- Alan Munton, Review of Jonathan Greenberg, Modernism, Satire and the Novel, 155-8.

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